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TIME: Almanac 1995
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<text id=94TT0469>
<title>
Apr. 25, 1994: Design:A Tell-All About Calvin
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Apr. 25, 1994 Hope in the War against Cancer
</history>
<article>
<source>Time Magazine</source>
<hdr>
THE ARTS & MEDIA, Page 80
Design
A Tell-All About Calvin
</hdr>
<body>
<p>By Martha Duffy
</p>
<p> The fashion shows in New York City last week produced little
good news, but Calvin Klein could, as always, be counted on
to unveil something appealing. For next fall he showed an array
of suits and separates quite in keeping with the clean-lined,
tasteful clothes he has made for the past 25 years. Klein's
importance to American fashion is unsurpassed, and even those
who don't buy his clothes certainly know his name. Years of
suggestive marketing campaigns--from Brooke Shields admitting
that nothing came between her and her Calvins to Marky Mark
pitching Calvin Klein underwear--have seen to that.
</p>
<p> Despite Klein's fame, virtually the only place to read about
him has been in fawning profiles commissioned by the glossy
magazines that depend on him for ads. As a rich, handsome man
he is a big target, though, and the arrival of a tell-all expose
like Obsession: The Lives and Times of Calvin Klein, by Steven
Gaines and Sharon Churcher (Birch Lane Press; $22.50), was almost
inevitable. The authors do not fawn--they revel in describing
the people Klein copied, the deals he made, the collaborators
he turned against. Above all, they dwell on his heavy drug use
and bisexuality.
</p>
<p> Gaines and Churcher interviewed tirelessly to portray Klein's
Bronx childhood, spent under the thumb of a domineering mother.
Like many designers, little Calvin began sewing as a tyke and
was impatient with school. After a couple of dead-end apprenticeships,
his future dawned with the opening of an elevator door. In 1968
he had a tiny garment-district office when a Bonwit Teller executive
on his way to another floor glimpsed some coats. He ordered
his assistant out of the elevator to check them out. Soon the
young designer was the star of the store's young line.
</p>
<p> Obsession contains a wealth of fascinating shop talk about the
garment industry: endlessly fluctuating deals, shifting alliances
and enmities, financial escapades of the riskiest sort. Klein
has endured his share of rough times, especially when, with
the help of Michael Milken, he issued some junk bonds. Only
the generosity of Klein's billionaire friend David Geffen--a $50 million investment in 1992--kept the firm afloat.
</p>
<p> But the authors' greatest preoccupation is with Klein's private
life. He married young and fathered a daughter, Marci, whose
kidnapping in 1978 was a media circus and a personal trauma.
By that time, Klein had discovered drugs and vodka and immersed
himself in the luxurious pre-AIDS life of rich gays. He developed
a passion for Studio 54, even staying after it closed to help
the waiters count change. Then it was on to Flamingo, a gay
after-hours club. Final stop was the Mineshaft, a "warren of
rooms crowded with men, many openly having sex...no cologne
or Lacoste shirts, only work clothes and leather allowed." At
home, the authors say, Klein plied hustlers with cocaine and
Quaaludes, and the wonder is that he has survived at all. Finally,
in 1988, he entered a drug-rehabilitation hospital and joined
Alcoholics Anonymous. By then he had also married Kelly Rector,
a pretty assistant with whom he lives the country gent's life
in the Hamptons.
</p>
<p> Like most expose writers, the authors hunt down the bad news
about their subject. But on a narrower, parallel track they
offer evidence of a driven, sensitive man who has made the most
of his considerable talents. As retailers learned anew last
week, Calvin has always served Seventh Avenue--and women--well.
</p>
</body>
</article>
</text>